![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
Entry tags:
Малые голландцы. Якоб Врель.
Любите ли вы "Малых голландцев",как люблю их я? Если да,то загляните на этот праздник души. Если нет,то тем более загляните. Люблю их образы,,особенно такие размеренные бытовые моменты. (хотя и праздника будет много) Пока просто репродукции,время будет подпишу и отмечу музеи,где хранятся картины.
Итак начнем ...Якоб Врель (Jacobus Vrel) . О нем крайне мало известно.
"Из всех так называемых "малых голландцев" Якоб Врель, наверное, самый загадочный. Подписи его картин - единственное сохранившееся письменное упоминание о нем. Сохранилось около 38 картин, так или иначе приписываемых Врелю. Это - или интерьеры с одной или двумя фигурами, очень похожими на жанровые работы Вермеера и де Хоха, или пейзажи, в духе Верееровской "Улочки". Считается, что Врель работал в Дельфте, по крайней мере с 1654 по 1662 годы. Возможно, он единственный если не ученик, то последователь Вермеера"
Добавляю новый тэг _малые голландцы_ .(В процессе поиска количество картин будет увеличиваться и разрешение репродукцийй улучшаться.Надеюсь.)
The Hospital Orderly
oil on panel
65 x 45 cm.
Koninklijk Museum voor Schone Kunsten, Antwerp
Картинки по возможности кликабельны.
Jacobus VREL
working, probably in Delft, 1654-1662
Of all the minor Dutch painters of the seventeenth century Vrel is one of the most enigmatic The location of his activity can only be surmised through searching far the possible sources of his style, and there is a general. agreement that this was probably Delft, although there is no record of him in the town. His few dated pictures range from 1654 to 1662.
Vrel concentrated on two distinctly different types of painting. Half of his pictures -depict rather bare interiors painted in the manner of Pieter Janssens or Pieter de Hoogh. He liked to paint bare walls in a manner reminiscent of Vermeer. The other half of his work consists of street scenes where the houses tend to be seen frontally, as in Vermeer's Little Street in the Rijksmuseum, Amsterdam. Perhaps one day more information will come to light about this beautiful painter.
Signatures on paintings are the only surviving documents of Jacobus Vrel's life. His seemingly naïve style and his pictures' rarity even have prompted speculation that he was an amateur. Scholars most often link Vrel's manner to Delft artists such as Johannes Vermeer and Pieter de Hooch, but elements in his street scenes may indicate connections to Haarlem, Friesland, Flanders, or the lower Rhineland. Scholars have attributed thirty-eight paintings depicting domestic interiors, courtyards, street scenes, and church interiors to Vrel. His only dated painting, from 1654, suggests that, rather than following, Vrel anticipated Delft artists' interest in domestic themes and light effects.
Vrel rejected Dutch artists' traditional approach of describing surfaces in great detail. Instead, he created lofty spaces, often conveying an eerie feeling of emptiness. His interiors, with their curiously stunted furniture, frequently display a single woman, usually viewed from behind or in profile. His street scenes are unusual in their anonymity, showing unremarkable back streets and ordinary people. Vrel's painting technique--a straightforward manner without glazes or other refinements--complemented his unpretentious subjects.
Итак начнем ...Якоб Врель (Jacobus Vrel) . О нем крайне мало известно.
"Из всех так называемых "малых голландцев" Якоб Врель, наверное, самый загадочный. Подписи его картин - единственное сохранившееся письменное упоминание о нем. Сохранилось около 38 картин, так или иначе приписываемых Врелю. Это - или интерьеры с одной или двумя фигурами, очень похожими на жанровые работы Вермеера и де Хоха, или пейзажи, в духе Верееровской "Улочки". Считается, что Врель работал в Дельфте, по крайней мере с 1654 по 1662 годы. Возможно, он единственный если не ученик, то последователь Вермеера"
Добавляю новый тэг _малые голландцы_ .(В процессе поиска количество картин будет увеличиваться и разрешение репродукцийй улучшаться.Надеюсь.)
The Hospital Orderly
oil on panel
65 x 45 cm.
Koninklijk Museum voor Schone Kunsten, Antwerp
Картинки по возможности кликабельны.
Jacobus VREL
working, probably in Delft, 1654-1662
Of all the minor Dutch painters of the seventeenth century Vrel is one of the most enigmatic The location of his activity can only be surmised through searching far the possible sources of his style, and there is a general. agreement that this was probably Delft, although there is no record of him in the town. His few dated pictures range from 1654 to 1662.
Vrel concentrated on two distinctly different types of painting. Half of his pictures -depict rather bare interiors painted in the manner of Pieter Janssens or Pieter de Hoogh. He liked to paint bare walls in a manner reminiscent of Vermeer. The other half of his work consists of street scenes where the houses tend to be seen frontally, as in Vermeer's Little Street in the Rijksmuseum, Amsterdam. Perhaps one day more information will come to light about this beautiful painter.
Signatures on paintings are the only surviving documents of Jacobus Vrel's life. His seemingly naïve style and his pictures' rarity even have prompted speculation that he was an amateur. Scholars most often link Vrel's manner to Delft artists such as Johannes Vermeer and Pieter de Hooch, but elements in his street scenes may indicate connections to Haarlem, Friesland, Flanders, or the lower Rhineland. Scholars have attributed thirty-eight paintings depicting domestic interiors, courtyards, street scenes, and church interiors to Vrel. His only dated painting, from 1654, suggests that, rather than following, Vrel anticipated Delft artists' interest in domestic themes and light effects.
Vrel rejected Dutch artists' traditional approach of describing surfaces in great detail. Instead, he created lofty spaces, often conveying an eerie feeling of emptiness. His interiors, with their curiously stunted furniture, frequently display a single woman, usually viewed from behind or in profile. His street scenes are unusual in their anonymity, showing unremarkable back streets and ordinary people. Vrel's painting technique--a straightforward manner without glazes or other refinements--complemented his unpretentious subjects.
no subject
(no subject)
no subject
как же все это можно не любить? :)
Спасибо большое за маллых голландцев, Ларочка
У вас там как - сугробы порастаяли уже ?
(no subject)
(no subject)
(no subject)
no subject
"...Коллекция гравюр в которую вошло около 400 работ различных японских художников, в том числе таких известных как Хокусай, Эйсен, Гекко, Хоккеи, Кунисада, Андо Хиросигэ и Куниёси Утагава..."
Формат: JPEG
Размеры изображений: от 1154х1589 до 4480х5216
Разрешение: от 96 пикс/дюйм
Глубина цвета: 24 бит
Количество: 390
http://depositfiles.com/files/t4e36xkiv
Вся черемуха и сирень для тебя!:-)
Sincerely yours, dpemy4uu
(no subject)
no subject
(no subject)
no subject
(no subject)
no subject
(no subject)
(no subject)
Голландцы